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My fascination with minimalism began with Donald Judd's work at the Nelson-Atkins Museum of Art, influencing both my art and life profoundly. While Minimalism Art emphasizes the physical object devoid of self-expression, I find myself driven to infuse it with deep, intricate stories extracted from my life experiences—a hidden connection I like to refer to as "internal chaos, external order." I prioritize the power of context in site-specific installations, focusing on the interplay of light and materials to create dynamic experiences.